Tag Archives: project

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Map Project

This year many of our youngest children have been traveling and there has been lots of conversation about vacations and trips to visit family. We often talk about how children traveled: Was it so far away that you took an airplane? Could you drive? Did you need to sleep away from home? Where did you sleep? Did you go over the ocean or over land? As we talk together, our classroom globe is featured and we help children find where we are now as well as where they traveled, so that we can show how far the trip was on the map. This informal and often spontaneous conversation also leads to questions about the globe itself, and we often talk about the symbols children notice, whether they show land forms, water, continents, animals that live nearby, etc.

Teachers decided to see if a more formal project might develop from this interest. We decided to start by asking families to help by sharing places around the world that are important to each child’s family identities. We posted this information in each location on 2 huge hallway maps – one of the United States and one of the world. And as information came in, we began our project by taking children out into the hallway to find their names and notice all the places associated with their families.

What a powerful beginning this turned out to be! For some children, finding their names and the names of countries important to family members has been the primary focus. For others, the interest has been in the maps themselves: Why is a globe round and this world map flat? Why does the United States look so big on this map and so small on this one? We live in Massachusetts – where is it on this map? Why can’t I find my house on the map? Why are there dots or lines or bumps? Blue is the water – there is land and water. What makes this place an island?

Our next step was to invite children to work together on a map of our classroom. Because so few children are representational in their drawings now, we used shapes as symbols for our table surfaces, hoping that would help children visualize our classroom activity centers and other features. Children looked around the room as we decided the best shape for each area and how to place it. We noticed the shape of our whole room – where the shorter and longer walls are. We found doorways together and noticed that only one wall has windows. When children weren’t sure, we walked over to the room area in question with our map, comparing what we placed with what we saw in our classroom space.

Many children chose to continue this process by making their own maps and with a focus on both family identities and our immediate shared environment (the classroom) we found the maps that children made also held personal meaning. Many maps of children’s houses were made, along with maps of the route children take to school. Details included our neighboring mountain, the Great Blue Hill, and children have added the road that passes Houghton’s Pond, another neighborhood landmark. Other children drew themselves in the car on family errands to the store, or on the way to a favorite gymnastics class. Some drew maps they could use, like a map of the zoo that shows the way to see monkeys, elephants and giraffes.
When families supported this project by allowing children to bring in family photos or artifacts that represent important places and people, our conversations were deeply enriched and children made new connections to each other. Some families have brought in books featuring places important to their cultural identities too, and we hope that this will continue.

Right now children are finding maps around the classroom, asking for details, and finding places relevant to their family experiences and identities. The book “Me On the Map” by Joan Sweeny has stimulated many conversations as children clarify the scales of different kinds of maps, and we’ve found children drawing themselves on classroom maps as well. Books featuring global families or houses often have maps in the back, and now children find them on their own and ask for more details about where the stories or people they’ve read about come from.

And we’ve seen children begin to represent land areas in their art. One child, when she mixed a beautiful shade of brown new to her, decided to surround it with blues so she could make “an island” We find children using lines to connect shapes, and are hearing more and more children label their work as a representation of a “house” or “mountain” as they develop their capacity for symbolic thinking.

We are taking the time to observe and collect information on what’s most important to the children so that we can offer meaningful extensions to this project. We know we want to find ways to think more deeply about land forms. We know we want to extend our classroom mapping experience to other parts of our school environment. As the weather gets warmer, we may be moving outdoors for more experiences relating to our mapping experiences – thinking about the outside of our building and our playground, and thinking more about the landmarks and features of our neighborhood.

And we’ll continue to look for ways to include families in this shared experience. Our annual multicultural family lunch is coming up, and we are hopeful that at least a few of the foods we share will represent some of the rich diversity of family experiences and identities that are present in our community.

 

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Night Forest Project

A good classroom project has a beginning, middle, and end, and as we finish the ninth week of our woodland and night forest project we are beginning to look for a way to share our work and find closure.

Back in October, we saw a strong interest in forest animals and the changing season. We stimulated the children’s thinking with a side table featuring seasonal leaves, pine cones, bark and twigs, and forest animals that children used to create pretend games. It seemed that even with many other activities and classroom investigations present, strong interest in this side table continued to grow.

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As we listened in on the pretend themes in the forest, we heard a variety of stories about animal families, animals looking for food, and animals looking for warm spaces. It became clear that we could connect the children’s interest in forest animals with storytelling experiences, and with our own relationship to the changing season, with its shorter days and cooler temperatures.

There were many informal opportunities to make connections, and we were conscious to use many. When children brought in a warm coat to play outside, we thought together about how animals might stay warm. We watched leaves change color and then fall from our playground trees. When we raked leaves outdoors, we thought about who might live under a pile of leaves and what that might feel like. We watched Canada geese flying overhead when we were on the playground, and thought together about where they might go. And we encouraged children to think about whether it was starting to be darker when they woke up in the morning or when they went to bed as we head towards the shortest days.

As children thought more about Halloween, walks in the dark, and worries in the night, conversations shifted a bit towards night time animals. What happens outside when we go to sleep? Which animals come out and which ones sleep when we do? Where do they sleep?

Flannel board and felt stories offer children a wonderful, and physical, way to focus their stories, so we used felt day and night time forest scenes at science to encourage storytelling. It became clear that the interest in night was strong. One child, who is a wonderful storyteller, created story after story about animals outside in a night time forest, and we began to see owls featured in many of the children’s stories.

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A visit from a local naturalist, who brought a great horned owl in for us to observe closely, stimulated an even stronger interest in owls and other nocturnal animals. We decided it was time to offer children an opportunity to create their own representation of a forest.

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We brought in a large box (thanks to the parent who donated it!) and asked the children what we might do with it. Children were fairly quick to agree they wanted to make a forest. Our storyteller stated that it should be a night time forest and our collaborative plan began.

Our first step was to ask children what they would need to do to change a box into a forest at night. We collected ideas over a few days:

  • We could paint the box black
  • We could use cardboard and sticks to make trees
  • We need leaves, feathers, grass and ground
  • We need stars and the moon – very bright white stars
  • We’ll add animals to the forest. Some will be in their homes. Some will be out in the forest. Some will be sleeping. Some will be out at night.
  • When the animals go home some will be in the ground, some in the trees, some in bunny holes, and some in a cave
  • Birds, squirrels, bumble bees, ladybugs, spiders and other insects will be sleeping
  • Owls, fox, skunks, raccoons, snails, and opossums will be out in the night
  • The animals should be with their families

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We’ve been working on our box – painting the inside and outside, adding stars and the moon, deciding how to build trees, over many days. Lately we’ve used the box with the same forest animals we used in October, and will be making some of our own animals soon. We may not realize all the ideas shared through our planning process, but when we all feel finished, we’ll invite our friends and family to celebrate our forest and our growing collaborative skills!

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Flower Garden Drawings

Drawing to Think, to Plan, and to Create

Many children in the chickadee class are in the beginning stages of representational drawing and we teachers are interested in finding ways to encourage their growing confidence in putting their ideas on paper. We decided to offer a project where representational drawings could help us plan.

We know that the chickadees are all anticipating spring, bright colors, outdoor activities, and gardens.

We remembered that they have expressed an interest in a sewing project along with other collaborative projects.

We decided to offer a project by reminding the children of these conversations:
• I remember you are interested in watching plants grow and thinking about gardens
• I remember that you love bright colors and things that are beautiful
• I remember that you want to sew together and make something beautiful for everyone to share

We asked the children, “Could we draw some flowers for a garden and then sew them in beautiful colors”?

Many were interested, and we formed a small group (4 children) to begin. Others came over later. We looked at photos of flowers together, thinking about how they grow, the shapes we could see in the flower heads, parts of plants and flowers, gardens, etc. Then each child drew something important to them.

We’ll continue the process until everyone has had a turn to join if they choose, and then we’ll begin to plan our garden!

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Thinking about shapes

Math Explorations in Art

Follofloorpatternblockswing up on the children’s on-going interest in exploring shapes and patterns with pattern blocks –thinking about how shapes can be combined to form new shapes, and thinking about the patterns that result from careful placement of shapes – teachers decided to present a printing experience that could continue and deepen these conversations and investigations.patternblocks

During an art enrichment afternoon, teachers and children began by comparing a variety of shapes, noting the number of sides on each, and their relative sizes. It’s important as children develop their mathematical thinking to assure that they have the language to express their ideas, and this group conversation clarified what children have already noticed about shapes. The children were fascinated as they thought together at the words they knew. For example, the word triangle, with 3 sides, starts just like the word tricycle, with 3 wheels. Since a bicycle has 2 wheels, does that mean “bi” has something to do with 2?

After this discussion, the children looked together at a variety stencils – one with a variety of triangles, another with a variety of rectangles, and a third with circles. To create prints, each child would choose complementary colors, and see how these shapes would look when laid out on top of each other.

There were problems to be solved as the children began, and new discoveries to be made. One child used very deep colors, and there was a concern that the first colors wouldn’t dry quickly enough for a good second color. Paper towels were used to blot some of the extra paint, and the result was some really interesting textures to explore. In some cases colors looked different than anticipated because the background paper wasn’t white. When colors overlapped mixing occurred, with new colors apparent. When a teacher held up one child’s work so that she could look it over at some distance, she said, “I can see the shadow of the triangles that were there before!” Each placement, the order in which shapes were added, the color choices, all led to new discoveries to talk about together, and this added to the children’s sense of excitement and engagement in the process of creating.

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During the following art enrichment afternoon, the teacher showed children how shapes can look different depending on their placement. Flipping a triangle, or using different colors for the shape or it’s background can lead to very different results. If you think about the patterns and colors in patchwork quilts you’ll have a good sense of what the children and teachers were thinking about together. The children’s creative process followed, when they cut smaller shapes from larger ones, chose their own colors, placed their shapes in relation to each other, and then glued everything down for a finished piece. Every approach was different, so in this experience, just like the first week’s, there was lots to talk about together, many comparisons to make, and problems to solve.

The children haven’t lost interest in these investigations yet. Perhaps children will study one artist’s use of shape placement, and that will offer some inspirations for the children’s own creations. Perhaps they’ll try some mosaics or quilt patterns, both built from combining smaller shapes to create new patterns. Art experiences will continue to offer the children a language through which they can think about, investigate, talk about, and create with, the shapes and patterns they investigate in their environment.

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Trying to Warm the Ice

Beginning Investigations of Ice

With this frigid weather we’ve been having lately, it seemed like a good time to introduce the chickadee children to an investigation of ice.

It’s easy to underestimate the powerful learning that can happen when children are encouraged to wonder more deeply about the properties of something in their everyday experience. All the children have had previous experience with ice and cold. What would they wonder about if we put out a few ice blocks? Would they notice the crystals and bubbles that formed as the ice hardened? Would they notice changes in the ice blocks over time as the ice melted, and would they have the language to describe those changes? Would they be interested in sliding the ice across the galvanized steel tabletop tray we offered, and would they notice the water droplets, and then puddles, that formed paths as the ice moved across the tray?

For most children, their first investigation at the ice table was a tentative one. “What’s this?” “It’s ice!” “It’s cold!” Fingertips touched, pulled away quickly and then touched again. When a teacher suggested rubbing hands and fingers together to keep warm, a game of touching ice and then rubbing hands together, giggling, quickly developed.

A few children returned to the table multiple times through the day, and then through the week. Some brought magnifiers to see crystals more closely. One child noticed that when he tried to push the ice it was stuck to the tray at first. When it melted a bit it was easy to slide. He came to the table often, trying to push the pieces of ice faster and faster across the tray as the ice melted.

As the children noticed the ice melting, many asked, “What happened to the ice?” In these moments teachers repeat the question rather than answering it. It’s the process of exploration and wondering that leads children to their own discoveries, and having an answer is often less important than that process. What did happen to the ice? Children said, “The ice is disappearing!” A few children clarified for others that the ice was melting (they had the word) but many did not. Instead, noticing the disappearing ice, children put their fingers first on the ice, and then on the deepening puddles of water next to the ice. What’s going on here?

It was a surprise to teachers that the most intriguing question that children investigated this week came from one child’s interest in warming the ice. “The ice is too cold – how can we warm it?” Teachers simply said, “I wonder”. She decided that putting a paper towel on the ice should warm it (after all, going under a blanket warms us doesn’t it?) This began a weeklong investigation involving many children as they placed paper towels on ice, found that some got wet, others stuck to the ice, and none really warmed it up. What’s going on here?

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